Main programme
Presentations timetable

Starts at 17:30, 13 September 2007,
at Faculty of Arts and Architecture, University of Brighton

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Thursday 13 September

18:45 Histories | Sallis Benney Theatre
Luke Holland
Looking for Mr Gill A film by Luke Holland
Ref: 431

Friday 14 September

09:00 | Sallis Benney Theatre
J. F. Porchez , A. M. Boddington
Welcome
Ref: 326
09:10 | Sallis Benney Theatre
B. Brown , O. Genisaretskiy
Helvetica A documentary film by Gary Hustwit
Ref: 392
10:30 Break
10:45 Histories | Dance Studio Room 225
Thomas Phinney
Adobe Originals: an Adobe 25 celebration
Ref: 329
Legacies | Sallis Benney Theatre
Oliver Linke
Masterpieces of Johann Neudörffer the Elder (1497-1563)
Ref: 328
Hand made | Seminar Room 202
Yves Peters
Oversampled
Ref: 387
11:30 Histories | Dance Studio Room 225
Alessio Leonardi
A line of type 120 years typographical history
Ref: 331
Legacies | Sallis Benney Theatre
Gerald Fleuss
The legacy of Edward Johnston
Ref: 330
Hand made | Seminar Room 202
Florian J Hardwig
On airlines, flame bows and speed loops The forms of primary script
Ref: 327
12:00 Lunch
13:15 | Sallis Benney Theatre
Richard Hollis
Writing & illuminating & lettering - & mechanisation
Ref: 357
14:15 Histories | Dance Studio Room 225
Sumner Stone
The foundation of the humanistic sans serif
Ref: 335
Legacies | Sallis Benney Theatre
Ole Schaefer
Bringing typefaces to life
Ref: 338
Hand made | Seminar Room 202
Albert-Jan Pool
DIN 16 A mechanical typeface rooted in handwriting
Ref: 337
15:00 | Sallis Benney Theatre
Humphrey Stone
Reynolds Stone – a life in graven letters
Ref: 336
15:45 Break
16:15 Histories | Dance Studio Room 225
Xurxo Insua Pardo
On the German origin of the sanserif
Ref: 339
Legacies | Sallis Benney Theatre
Lida Lopes Cardozo Kindersley
The kindest cut of all – the Kindersley Workshop
Ref: 334
Hand made | Seminar Room 202
A. Haslam , T. Maier , G. Hardie
Typographic forms | Stencils and lettering guides | An illustrator's letters Three linked presentations chaired by Andy Haslam
Ref: 373
17:00 Histories | Dance Studio Room 225
Akira Kobayashi
Sanserif types and their humanistic backgrounds
Ref: 342
Legacies | Sallis Benney Theatre
Juliet Shen
Searching for Morris Fuller Benton
Ref: 341
17:45 | Sallis Benney Theatre
David J Crow
Virtual handicraft
Ref: 361
18:45 ATypI Auction

Saturday 15 September

09:30 Landscapes | Sallis Benney Theatre
Ken Garland
The word is on the street
Ref: 348
10:15 Break
10:45 Cultures | Dance Studio Room 225
Artur Frankowski
Designing a regional typeface
Ref: 352
Landscapes | Sallis Benney Theatre
Andy J Altmann
Typography in the Environment
Ref: 351
Digital hands | Seminar Room 202
George D. Matthiopoulos
Touching shadows of the past Recasting the types of a Cretan Renaissance master
Ref: 358
11:30 Cultures | Dance Studio Room 225
Viktor Kharyk
Old Slavic alphabets and new fonts
Ref: 355
Landscapes | Sallis Benney Theatre
Phil Baines
From the Motor Car Act to motorways British road signs from 1903–58
Ref: 354
Digital hands | Seminar Room 202
T. Madved , K. Mozina
Typeface Praetoria: from v-cut to digital media
Ref: 353
12:00 Lunch
13:15 | Sallis Benney Theatre
James Mosley
English vernacular revisited
Ref: 343
14:15 Cultures | Dance Studio Room 225
Ebru Baranseli
Typography on architecture the effects of variation in Turkey
Ref: 360
Landscapes | Sallis Benney Theatre
Karen Cheng
Teaching type in the city
Ref: 359
Digital hands | Seminar Room 202
David Lemon
Back to nature
Ref: 350
15:00 | Sallis Benney Theatre
Matthew Carter
Bruce Rogers and his Centaur type
Ref: 332
15:45 Break
16:15 Cultures | Dance Studio Room 225
Albert-Jan Pool
DIN 1451 The unofficial 'corporate type' of Germany?
Ref: 365
Landscapes | Sallis Benney Theatre
Richard Kindersley
National Armed Forces Memorial Staffordshire
Ref: 364
Digital hands | Seminar Room 202
Michele Wong Kung Fong
Typography, access and education
Ref: 363
17:00 Cultures | Dance Studio Room 225
Fritz Grögel
French Délice letter painting, lettering and cultural tradition in France
Ref: 368
Landscapes | Sallis Benney Theatre
Yaki Molcho
The typographic design of the Valley of the Communities in Jerusalem
Ref: 367
Digital hands | Seminar Room 202
Alessandro Fiore
New professional identity of type designer
Ref: 366
17:45 | Sallis Benney Theatre
Michael Harvey
Goodbye analogue, hello digital
Ref: 369
20:00 Garden party and dinner

Sunday 16 September

09:15 | Sallis Benney Theatre
Jean François Porchez
ATypI Annual General Meeting
Ref: 371
10:15 Break
10:45 Cultures | Dance Studio Room 225
Masayuki Yamamoto
Measuring harmony of type mixture sans serif typefaces in Japanese typography
Ref: 375
| Sallis Benney Theatre
Timothy Donaldson
Listen to the hand
Ref: 432
Hand made | Seminar Room 202
Caglar Okur
Typographic examination of Ottoman and contemporary Turkish tombstones
Ref: 380
11:30 Cultures | Dance Studio Room 225
Chinmay Battacharya
A comparative study of printed Bengali typefaces Hot-metal vs. digital
Ref: 378
Landscapes | Sallis Benney Theatre
Joe Clark
Inscribed in the living tile Type in the Toronto subway
Ref: 377
Hand made | Seminar Room 202
B. Baggett , L. J. Baggett
Covering ground or covering up
Ref: 376
12:00 Lunch
13:15 Cultures | Dance Studio Room 225
Keith Chi-hang Tam
Typographic bilingualism: a framework for the co-existence of Chinese and English texts
Ref: 382
Landscapes | Sallis Benney Theatre
Eiichi  Kono
Sustainability and typography
Ref: 381
Hand made | Seminar Room 202
Edna Lucia Cunha Lima
Nineteenth century type founders in Rio de Janeiro
Ref: 340
14:00 Cultures | Dance Studio Room 225
Pouya Jahanshahi
Fusion of East and West Avant-garde of Iranian graphic design
Ref: 385
Landscapes | Sallis Benney Theatre
Kevin Larson
Better than a poke in the eye
Ref: 384
Hand made | Seminar Room 202
Sarah K McCoy
Typographic form and the 'permanence' of letterpress type
Ref: 383
14:45 | Sallis Benney Theatre
John D. Berry
Closing plenary
Ref: 386
15:00 Tour | A
P. Baines , C. Dixon
Lettering walk around Brighton
Ref: 430